On 1st July 2018 BBC FOUR broadcasts the first programme in a documentary series celebrating the 70th anniversary of the NHS. It focuses on people’s memories of the health service, and include an interview with Loraine Leeson. It also features the posters on health issues she produced with Peter Dunn in the 1970s. Some of these were in support of the campaign to keep Bethnal Green Hospital open, while others were produced with members of health workers’ unions for East London Health Project to warn people about the impending cuts to services at that time – one of these posters celebrated 30th anniversary of the NHS. A retrospective exhibition of this work was held at the ICA in May 2017.
Category Archives: ARCHIVE
Loraine Leeson on the London Docklands
25th June 2018 saw publication of Loraine’s article Our land: creative approaches to the redevelopment of London’s Docklands in a special editon of the International Journal of Heritage Studies edited by Katazyna Kosmala: Intangible heritage and post-industrial waterfront zones: Ways of seeing.
ABSTRACT
Large-scale re-development of post-industrial sites can easily railroad 5 over the needs or wishes of its existing inhabitants, or at best involve them in peripheral consultation. However, when a community is highly organised and also collaborates with others to gather expertise and develop effective means of communication, it has the ability to re-envi- sion a future that can meet the needs of all concerned. In the 1980s The Docklands Community Poster Project engaged with a cluster of waterfront communities, which used the arts to influence the regeneration of the London Docklands. Close collaboration between local people, activists and artists led to a range of interventions implemented over a ten year period that included a series of large-scale photo-murals, travelling 15 exhibitions, initiatives and events such as the People’s Armadas to Parliament and the People’s Plan for the Royal Docks. The article makes an argument for how and why art can be an effective tool in social transformation and highlights its role in documenting and making visible the intangible cultural heritage of the communities it serves.
London Community Video Archive
On 9th August 2017 the London Community Video Archive went live. Its aim is to preserve, archive and share community videos made in the 1970s/80s in London Portable video recording — now a technology routinely embodied in smartphones — became available for the very first time back in the early 1970s, making it possible for individuals and communities to make their own television. The medium was taken up by people ignored or under-represented in the mainstream media – tenants on housing estates, community action groups, women, black and minority ethnic groups, youth, gay and lesbian people, and the disabled. With an overriding commitment to social empowerment and to combating exclusion, ‘Community Video’ dealt with issues which still have a contemporary resonance — housing, play-space, discrimination, youth arts.
The archive contains the video Emergency created by Loraine Leeson and Peter Dunn in 1974 in support of the campaign to keep Bethnal Green Hospital open. It also hosts an interview with Loraine that outlines how the making of this video became an important touchstone for her subsequent socially engaged art practice.
The Things that Make You Sick
The Art of Change 1991-2002
The visual arts organisation The Art of Change developed out of the Docklands Community Poster Project, from which it learned key lessons. Importantly it built on methods of engagement giving voice to those with first-hand knowledge of issues, and a pro-active approach to creating alternatives rather than relying on protest in its cultural activism.
West meets East 1992
A project with teenage Bengali girls from Bow, East London exploring the theme of their experience of living in two cultures, resulting in a 16 x 12ft (4.8 x 3.6m) photo-mural and touring exhibition.
Celebrating the Difference 1993-94
Digital montage displayed as a 16 x 12ft (4.8 x 3.6m) photomural. Produced with pupils from George Green’s School in East London. Working with a group of culturally mixed teenagers, the project dealt with issues of culture and identity, commonality and difference in an inner city area fraught with racial tension.
Between Family Lines 1994
Four-projector tape-slide production and exhibition co-authored by Loraine Leeson and Karen Merkel that explores the importance of culture in the lives of five women from diverse backgrounds. The artists worked through the Women Against Fundamentalism group in London to reach women who had suffered under fundamentalism in their family lives.
Awakenings 1995-96
Awakenings, after Stanley Spencer’s Resurrection was a Tate Gallery commission exhibited at the Millbank site from 1995-96. Digital montage produced with pupils from George Green’s School in East London, displayed as a 14ft x 7.5ft (4.3m x 2.3m) cibachrome print.
Putting Ourselves in the Picture 1996
Alpona panels and beadwork hangings created with women and children from East London’s Bengali community, combining traditional skills with digital processes. The panels inspired design of the Jagonari Asian Women’s Centre cafe, where they were put on permanent display. Collaboration with Language 2000.
Beyond the Classroom 1996
Co-ordination of a project to support schools in the commissioning and production of public artworks. Instigated and funded by the Lee Valley Park Authority with London Arts Board. Evaluated by Art and Society.
Through Our Own Eyes 1996-97
An ‘artists in schools’ residency programme, which gave training and support to six recent graduates who wished to develop their art practice within an educational context. Collaboration with the University of East London and the Tate Gallery.
A Welcoming Change 1997
Commission by the Royal London Hospital for research and development towards the refurbishment of its main entrance. Proposals were produced for permanent and temporary artworks to create a welcoming and comfortable environment reflecting the needs, concerns and cultures of the hospital’s main users and communities. Collaboration with Anne Thorne Architects.
The Infinity Story 1997
Interactive illustrated story produced with input from over three hundred East London junior school children. Crossing the IT, Literacy and Art areas of the curriculum, the project developed an online creative resource for schools. Collaboration with artist Camille Dorney.
Visit the Infinity Story…
I.D 1998-99
The first web site project commissioned by the Tate Gallery. The brief was to work with pupils from two secondary schools in London Borough of Tower Hamlets to do creative work that took inspiration from the Tate’s John Singer Sargent exhibition.
Momentos 1999
Commission by the Art Gallery of Ontario for a website project with four high schools in Toronto, taking inspiration from their exhibition of works by 19th century Canadian artist Cornelius Krieghoff. Resulted in an online resource and set of virtual postcards. Collaboration with artist Peter Dunn.
Unlocking the Grid 1999-02
A period of Arts Council funded research exploring the creative and learning potential of the National Grid for Learning – a government initiative which equipped all schools with computers and laid down guidelines for the involvement of ICT (information and communications technology) in the delivery of most subjects in the new National Curriculum. This research was key to the development of the VOLCO project.
Download the Unlocking the Grid report
Widening Participation 2000-02
A partnership initiative with Chelsea College of Art and Design, incorporating undergraduate involvement into projects, establishment of a higher education mentoring scheme for young people in East London, and a postgraduate placement with The Art of Change.
Docklands Community Poster Project 1981-1991
Ten years of cultural campaigning with the communities of East London around issues arising from the development of the London Docklands. Production of photo-murals, exhibitions, photographic documentation, graphics and events.
Collaboration with Peter Dunn and a team involving graphic designers Sandra Buchanan and Dini Lallah, administrator Belinda Kidd and contributions by Tony Minion, Sonia Boyce, Donald Rodney, and Keith Piper.
Context
The area now known as the London Docklands extended eight miles downriver from Tower Bridge, its most western point, to the Royal Docks in the east, and was described by developers as the ‘largest piece of real estate in Europe’.
