Following the installation of a new wheel in the Olympic Park, Active Energy is featured once again in The Environment magazine.
On 20th September 2019, as millions of school children, workers and trades unionists across the globe commenced a week of action for climate justice, the Active Energy project celebrated how older and younger people have come together to work for environmental change in their community.
The event was held in the Queen Elizabeth Olympic Park, close to where the water wheel is located. It was opened by Paul Brickell, Executive Director for Regeneration and Community Partnerships at the London Legacy Development Corporation.
On 12th September 2019 masters students following the specialism in art and social practice led by Loraine Leeson and Alberto Duman exhibited the results of their study in the MA graduate shows.
Wendy Charlton, Alison Lam, Dorottya Szilagyi and Natalia Talamagka have focused on topics as diverse as the regeneration of a North London housing estate, carer experience of autistic children, the recycling of plastic and survival strategies for victims of domestic violence. The media on which they have drawn has included film, photography, live events, sculplture, installation and app design. Tragically the MA Art and Social practice that was supporting these students, has been discontinued by the university for financial reasons. However social practice work at Middlesex continues through other specialisms such as MA Fine Art.
2-4pm Friday 20th September 2019
Loraine Leeson and The Geezers invite you to celebrate their latest venture in the Active Energy arts project. A floating water wheel has been installed close to the London Aquatics Centre in the Waterworks River to drive an aerator that will help counteract the effects of pollution on the river’s fish and wildlife. Meanwhile pupils from Bow School have constructed their own working models of turbines using designs suitable for the generation of renewable energy.
Pupils at Bow School, East London have been taking part in workshops led by engineer Toby Borland as part of Loraine Leeson’s Active Energy project.
They were supported by members of The Geezers Club from AgeUK Bow, who have been a central part of this project for the last twelve years – it was their idea to find out how the River Thames and its tributaries could be used to power their community. Students from the MA Art and Social Practice at Middlesex University also assisted.
The young people’s working models will be on display at a public event to be held in the Queen Elizabeth Olympic Park on the afternoon of Friday 20th September. Watch this space for details.
On 4th July 2019 an Active Energy floating water wheel was installed in the Queen Elizabeth Olympic Park in East London.
This is the latest initiative of the Active Energy project led by artist Loraine Leeson with members of the Geezers Club from AgeUK Bow. With the help of engineer Toby Borland they have developed different schemes over a period of twelve years, which demonstrate how sustainable energy can be used to support their community.
The floating water wheel can be seen in the Queen Elizabeth Olympic Park between Thornton and Iron Bridge, where it has been installed to help the survival of fish and wildlife. In certain weather conditions sewage finds its way into the river, where it uses up oxygen and can cause fish to die. Lock gates along the river are raised intermittently to allow water to flow, and at these times the wheel turns, driving air into the river.
On 30th May 2019 Loraine Leeson gave the keynote address at the Aliar-se conference in Barcelona, which explored how collaborative artistic practice could begin to inform cultural policy in Catalonia.
The conference was organised by Ramon Perramon and Montserrat Moliner and supported by CONCA, Catalonia’s National Council for Culture and Arts.
The objectives of the conference were as follows:
- To analyse artistic practices as a mechanism for organisation, and at the same time for political and cultural action, assembled through collective participation.
- To advance a cross-sector view which moves beyond professional sectorial specificities.
- To generate debate regarding issues related to artistic production in collaborative and participatory assembly-constituted processes.
- To bring other perspectives which may enrich cultural policies.
Loraine spoke about lessons learned from her own art practice and introduced the work being done by Arts for Labour to inform cultural policy in the UK.
cSPACE declares a Climate and Ecological Emergency We pledge to work with and support our community and local government in tackling this Emergency, and we call on others to do the same.
Highlights from the first MA Art and Social Practice graduation show at Middlesex University.
Jenny Dunn’s project was excellent, her selection of what to show from an embedded position felt well distanced enough from her own personal experience and perspective for it to function at this secondary level of reading as a tactful and highly moving piece of social representation.
The experience of getting caught up in its latent utopianism was a beautiful one.
I mean this in the sense of how it prompts the viewer (in this case, me) to imagine the possibility of every estate having someone who’s principle occupation it is to make, take, and implement suggestions about how the quality of life can be raised.
It’s a work that demonstrates what I’ve heard autonomists and anarchists talk of as ‘radical care’, and insofar as the narrative’s content prefigures a future society freed from the determining force of capital upon social relations, the image given is politically hopeful.”