cSPACE declares a Climate and Ecological Emergency We pledge to work with and support our community and local government in tackling this Emergency, and we call on others to do the same.
Highlights from the first MA Art and Social Practice graduation show at Middlesex University. Feedback from Allan Struthers:
”Congratulations on teaching/facilitating such a great cohort. The students I spoke to last night are incredible.
Jenny Dunn’s project was excellent, her selection of what to show from an embedded position felt well distanced enough from her own personal experience and perspective for it to function at this secondary level of reading as a tactful and highly moving piece of social representation.
The experience of getting caught up in its latent utopianism was a beautiful one.
I mean this in the sense of how it prompts the viewer (in this case, me) to imagine the possibility of every estate having someone who’s principle occupation it is to make, take, and implement suggestions about how the quality of life can be raised.
It’s a work that demonstrates what I’ve heard autonomists and anarchists talk of as ‘radical care’, and insofar as the narrative’s content prefigures a future society freed from the determining force of capital upon social relations, the image given is politically hopeful.”
A one-day seminar in Bristol
Culmination of an AHRC funded arts-community network project between UK and India addressing water scarcity in rural Rajasthan
9:30 for 10am start – 4:00 pm
Friday 5th October 2018
Princes Wharf, Wapping Rd
Bristol BS1 4RN
This one-day seminar will reflect on the potential and role of the arts and creative practice to address critical global challenges:
- Where and how artists are engaging with social and environmental issues.
- The challenges, opportunities and implications of accessing and engaging vulnerable individuals and communities through the arts.
- How community-based arts can contribute to improvements in the welfare of those living in tenuous conditions.
- Interdisciplinary challenges associated with bringing together science and arts perspectives in addressing critical social and environmental issues.
Presentations by Michael Buser, Loraine Leeson, MS Rathore, Nina Sabnani,
Anurupa Roy and Neelam Raina
FREE, but places are limited
For further information contact Michael.Buser@uwe.ac.uk
Picture collages or political weapons?
Artists Peter Kennard and Loraine Leeson with writer David Evans will be discussing all things photomontage – exploring the history, techniques and effects of photomontage, from darkroom collages to digital manipulation.
A Four Corners archive event for anybody interested in the art of protest, radical culture or community activism.
6:30 PM – 8:30 Thursday 20th September 2018
121 Roman Road
London, E2 0QN
On 1st July 2018 BBC FOUR broadcasts the first programme in a documentary series celebrating the 70th anniversary of the NHS. It focuses on people’s memories of the health service, and include an interview with Loraine Leeson. It also features the posters on health issues she produced with Peter Dunn in the 1970s. Some of these were in support of the campaign to keep Bethnal Green Hospital open, while others were produced with members of health workers’ unions for East London Health Project to warn people about the impending cuts to services at that time – one of these posters celebrated 30th anniversary of the NHS. A retrospective exhibition of this work was held at the ICA in May 2017.
25th June 2018 saw publication of Loraine’s article Our land: creative approaches to the redevelopment of London’s Docklands in a special editon of the International Journal of Heritage Studies edited by Katazyna Kosmala: Intangible heritage and post-industrial waterfront zones: Ways of seeing.
Large-scale re-development of post-industrial sites can easily railroad 5 over the needs or wishes of its existing inhabitants, or at best involve them in peripheral consultation. However, when a community is highly organised and also collaborates with others to gather expertise and develop effective means of communication, it has the ability to re-envi- sion a future that can meet the needs of all concerned. In the 1980s The Docklands Community Poster Project engaged with a cluster of waterfront communities, which used the arts to influence the regeneration of the London Docklands. Close collaboration between local people, activists and artists led to a range of interventions implemented over a ten year period that included a series of large-scale photo-murals, travelling 15 exhibitions, initiatives and events such as the People’s Armadas to Parliament and the People’s Plan for the Royal Docks. The article makes an argument for how and why art can be an effective tool in social transformation and highlights its role in documenting and making visible the intangible cultural heritage of the communities it serves.
In May 2018 Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art was published by Allworth Press, New York. It contains a chapter by Loraine Leeson and Alberto Duman on Experience as Art: Fine Art Social Practice at Middlesex University, which draws on their experience of teaching the MA Art and Social Practice and BA Fine Art Practice at Middlesex University.
The book is edited by Greg Sholette and Chloe Bass who teach one of the few masters courses on this topic at Social Practice Queens, City University of New York with an aim of gathering together knowledge available to support teaching in this area.
With content arranged thematically around such topics as direct action, alternative organizing, urban imaginaries, anti-bias work, and collective learning, among others, Art as Social Action has created a comprehensive manual for teachers about how to teach art as social practice. Along with a series of introductions by leading social practice artists in the field, valuable lesson plans offer examples of pedagogical projects for instructors at both college and high school levels with contributions written by prominent socially engaged artists, teachers, and thinkers.
Open for applications 2018
symposium and conversation on art and social change
6.00-8.30pm, Friday 2nd March 2018
121 Roman Rd, London E2 0QN
Join Loraine Leeson for the launch of her new book where key artists, activists and writers will lead a conversation on the role of art in social change
Dr. Ailbhe Murphy is an artist and Director of Create, the national development agency for collaborative arts in Ireland. Create is a resource organisation for artists working cross art form and in collaboration with diverse communities of place and of interest. Ailbhe is also a founding member of the interdisciplinary art and research platform Vagabond Reviews. www.create-ireland.ie
Educationalist, artist and longstanding member of Platform, an artist-led, London-based collective that brings together artists, activists, researchers and campaigners who collaborate to make work on social and ecological justice. Jane Trowell’s work particularly focuses on pedagogical and social process. https://platformlondon.org
Widely published researcher and writer on new forms of democratic accountability and driving force/editor behind Red Pepper. She has written for many publications including The Guardian, and makes regular television and radio appearances. A member of Arts for Labour, her forthcoming book A New Politics from the Left is soon to be published.
Professor Kerstin Mey is the newly appointed Vice President for Academic Affairs and Student Engagement at University of Limerick and previously Pro-Vice Chancellor and Dean of Westminster School of Media, Arts and Design. Kerstin’s research is concerned with the ‘situatedness’ of art, its underlying value hierarchies and public pedagogies.
With video interventions from:
Known for his visual art that challenges the boundaries between art and politics, Conrad Atkinson has been described as ‘one of the most important fine artists in the world who specialize in social and political concerns’. He is also Professor Emeritus of Art and Art History University of California at Davis, Distinguished Visiting Professor/Artist in Residence of the Courtauld Institute and Honorary Fellow of Cumbria University.
Researcher and art educator based in Barcelona who has developed projects and collaborative exhibitions on dialogical practice for cultural institutions throughout Spain and writes on the subject of community, cultural policy and education. Javier has also been the coordinator of the pedagogical-cultural project Transductores.
Loraine Leeson explores the idea that art is a vital part of civilised society and should be a method of self-expression for everyone rather than the privileged few
Workshop by The Common, a collective of students studying Art Practice and the Community at Middlesex University. Photo ©Kerri Jefferis
Cultural democracy is not new, but rather an idea that has found a newly conducive context. This is much to do with the growing belief amongst younger generations that change is necessary and that they can and will make it happen
Panel discussion on Cultural Democracy
with Loraine Leeson, Hilary Wainwright and Hasan Mahamdallie
4-5pm Monday 20th November 2017
ResonanceFM Suite (212)
On 9th August 2017 the London Community Video Archive went live. Its aim is to preserve, archive and share community videos made in the 1970s/80s in London Portable video recording — now a technology routinely embodied in smartphones — became available for the very first time back in the early 1970s, making it possible for individuals and communities to make their own television. The medium was taken up by people ignored or under-represented in the mainstream media – tenants on housing estates, community action groups, women, black and minority ethnic groups, youth, gay and lesbian people, and the disabled. With an overriding commitment to social empowerment and to combating exclusion, ‘Community Video’ dealt with issues which still have a contemporary resonance — housing, play-space, discrimination, youth arts.
The archive contains the video Emergency created by Loraine Leeson and Peter Dunn in 1974 in support of the campaign to keep Bethnal Green Hospital open. It also hosts an interview with Loraine that outlines how the making of this video became an important touchstone for her subsequent socially engaged art practice.
On 8th May 2017 A Greater London published interviews on its GLC Story web site together with a new zine to commemorate the achievements of the Greater London Council (GLC) in the 1980s.
Loraine Leeson was interviewed in relation to the work of the GLC’s Community Arts Sub-Committee, on which she served during the Labour administration of the 1980s. During this period the most radical re-working of cultural policy that this country has seen took place in the capital, with £millions transferred from London’s ‘centres of excellence’ into cultural projects in which ordinary citizens could participate.
In 1986 the GLC was abolished by Thatcher, but A Greater London aims to recover that lost history, and uncover lessons for today. A group of volunteers collected and recorded these memories, which can be heard here. The oral history project is now complete and to share it with a wider audience a paperback zine has been published, which can be downloaded here, together with transcripts of the interviews.
3.30 – 5pm Saturday 13th May 2017
at National Mills Weekend
For this new phase of the Active Energy project a floating water wheel is being placed in the River Lee close to an historic tidal mill. The outflow from the mill pool will turn the wheel, which will then drive an aerator to oxygenate the water and counteract the effects of pollution on the river’s fish and wildlife.
The process has been led by artist Loraine Leeson working with the Geezers, a seniors’ group based at AgeUK, and supported by the Lea Valley team of the Hydrocitizenship research initiative. Engineer Toby Borland designed and implemented the new wheel, while Thames 21’s Love the Lea has provided facilities, advice and further support. The wheel’s low-cost open source design will soon be viewable on the Active Energy web site so that others can take up the idea.
House Mill, Three Mill Lane, Bromley-by-Bow, London E3 3DU
firstname.lastname@example.org 020 8980 4626
Nearest tube: Bromley by Bow
Loraine Leeson will be running a new MA in Art and Social Practice commencing September 2017
The course builds on the UK’s significant history of community-based and socially engaged art initiatives addressing social and environmental issues. Students take their creative practice beyond the institution to build on their own interests, networks and communities, grounding this in critical understanding and theory. Loraine Leeson will lead the course, drawing on her longstanding experience in cultural activism and community collaborations. Additional input will be made by artists, writers, designers and cultural entrepreneurs active in the field of socially engaged practice in the Faculty of Arts and Creative Industries.
The course offers:
• Experienced practitioner-led teaching combined with the rigour of an academic environment renowned for its cultural studies.
• Off-site project work based on own interest, contacts and communities.
• A supportive environment for developing collaborative, peer and professional networks.
• Active research context with specialism in socially engaged practice.
• A wider university context to support interdisciplinary working.
• State of the art facilities, studios and workshops with contemporary and traditional equipment, archives and digital tools including software labs, 3D printing and media studios.
• A programme of visits, trips and seminars to experience and debate London’s thriving scene of social engagement, cultural activism and arts-led urban regeneration.
• Opportunity to share critical debate and research across a cluster of masters programmes.
Active Energy has received the Best Arts and Green Energy award from Regen SW. The awards were announced at an event at the Bath Assembly Rooms on 29th November 2016. This is the 13th annual awards ceremony to honour innovation in the development of green energy and the first to recognise the arts as a key player in this process.
This current phase of the project is taking place as part of the Hydrocitizenship initiative.